Wednesday, 10 April 2013

Heimdall blowing Gjallarhorn

 
This is the first piece of concept art I completed for my Future Norse Myths project. The aim of my project was to create artwork for 6 different scenes in the Ragnarok story from Norse Mythology in a future or sci fi setting.

This piece depicts the god Heimdall blowing the horn, Gjall. In Norse Mythology, the sound of the Gjallarhorn signals the onset of the events of Ragnarok in which almost all life in the nine worlds will perish.

When designing this piece, I wanted the character to have sci-fi looking armour but I dont think I achieved this in this particular artwork. The armour looks more like fantasy armour than sci-fi armour here and other than that there is nothing in this piece that even suggests a science fiction or future setting.

The mountains in the background get less and less saturated the further away they are as they should, but the shape of the mountains and and the light and dark areas are not defined properly. None of the shading is done consistently in the painting, this is probably down to me not having decided where the main light source in the scene is before applying a paint layer. This can be easily fixed in the future, however, with a little bit more planning before i begin painting.

I do not think the choice of colour palette was very good in this piece. The blue armour was meant to appear to be science fiction, but as mentioned earlier, I do not think i managed to achieve a science fiction feel in the painting.

What I did like about this painting, however is how the character is drawn. I think this is one of the best drawn characters in the entire project. The anatomy and proportions are good in this character, this was the result of good sketchwork and planning.
  
 

Loki Freed from Chains



 In the Ragnarok story, Loki breaks free form his shackles and rides north to fight Heimdall. To make this story fit a sci-fi/ future setting, I changed the shackles for a prison and had the character in this painting escaping from prison.
 
I think this piece has a very painterly style, perhaps more so than some of the other paintings in this project. I like this painting a lot, I think it tells a strong narrative and is easy to tell what is going on in this scene.
 
I attempted to paint this piece with little to no sketch work underneath, with the exception of the characters face I think this went quite well. I think the lighting on the scene and on the character is done quite well.
 
I used a gaussian blur effect on the fire in the background this creates the effect of the character being really sharp and in focus with the background being out of focus.
 
To improve this painting,  need to study some more anatomy and get the proportions of the body and face correct.
 
 

Thor vs. Jormungand



This is the third piece I completed for the Future Norse Myths project. In norse mythology Thor fights the Midgard Serpent, Jomungand during the events of Ragnarok. Thor slays the serpent and takes 9 steps before he falls to his death from venom.

I wanted to avoid taking the stories so literally from this point so instead of featuring an actual serpent to fight Thor, I used an image of a snake as a sigil for the character in the background. To represent the 9 steps Thor takes before his death, the character's bomb vest is set to detonate after 9 seconds.

The proportions of Thor's face is slightly off. The eys are too wide and the nose is too long. The facial proportions of the character in the background are better, although there are some problems with his feet and arms.

More anatomical studies are required.

Unlike the other paintings on this project this was the only one that I kept some of the line art. I really like the colour palette on Thor's face and hair in this painting, the saturated,  vibrant colours I think look good with the dark line art.

 

Aesir Arms Shipment


Freyr Vs. Surt

This piece is my personal favourite from all of the paintings I completed. I love the contrast between Freyr, the god of fertility and life, and Surt the fire god.  I wanted to continue using symbolism as much as possible instead of taking the stories literally.

I think the anatomy of the boar and the 2 faces is done really well and for the most part the brush strokes are done well. The face on the right does not look as good as the one on the left. I spent too much time on this piece, and it took away from time i could spend on the other pieces.

I like the small things in this piece that bring the painting to life, such as the distant trees, blades of grass and city skyline in the background.